Reviews
by Mark Hanna If you have ever used an intercom system in a live production environment, you know how valuable they are. If you...
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- Topics
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Pyrus Events Adds ShowPRO R3 Washes and FLX S24 Console
City Recital Hall Trusts In Martin MAC Encore Two
Elite Event Technology’s Darren Russell Joins Global Touring Leaders at JBL Tour Summit Ibiza
L-Acoustics Introduces Digital Construction Providing As-Built Venue Capture
HIVE Launches HIVE Academy to Support Growing Global User Community
- Production News
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- Employment News
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Additive brings Our Wondrous Planet to life with Vectorworks
BCEC Invests in Next-Generation Visual Technology with VuePix Infiled and Brompton Processing
The Art House Wyong Progresses to ETC Lustr 3
Phantos Transforms School Hall into a Dynamic Performing Arts Space
Fullerton Hotel Sydney Features Australia’s Largest Hotel Ballroom LED Deployment
- People News
- Tech Topics
- Standards News
Eight ESTA Draft Standards Now in Public Review
Four ESTA Standards Recently Published, Twenty-Two Standards in Review
ESTA Announces Publication of New Standards
ESTA’s Technical Standards Program Announces Two New Standards
VAPAC TMN Mitigating the Environmental and Health Impacts of Micro Plastics in Live Entertainment
- Reviews
- Business News
Reviews
By Phil Garfinkel Shure continues to expand its wireless system product line, with the latest development being the SLX-D+, a new version of the popular...
Reviews
By Richard Cadena It wasn’t that long ago that using batteries to power stage lighting, audio, and video was virtually unheard of. It was...
Reviews
By Bill Di Paolo In professional audio production, wireless microphone systems are often judged not by how they perform in ideal conditions, but by...
Reviews
By Richard Cadena In the early 2000s, many people were uncertain whether LEDs could ever light a stage well enough to satisfy lighting designers....
Reviews
By Rich Tozzoli Walk into almost any pro studio and you’ll see an Eventide H3000 Ultra-Harmonizer. When it was first released in the mid-1980s,...
Reviews
By Brandon Creel ETC fixtures, like the Source Four ellipsoidal and PAR, were purposely built for theatrical use. Because of their practicality, the television...
Reviews
by Loren Alldrin Called “unflappable with plosives,” our reviewer finds that handling noise on the 2028 is among the quietest of any mic he...
Reviews
By George Petersen Before we get started, I should come clean and admit that I’ve always been a fan of Electro-Voice speakers. This goes...
Reviews
Many of those working in the Lighting Production industry may only know “Stumpfl” as a name overheard in the AV aisles of the warehouse....
Reviews
As the traditional lines between lighting, scenic, video, rigging and other forms of visual and production design continue to blur and merge, designers have...
Reviews
By Mike Wood It’s been a while since I reviewed something that wasn’t LED-based, particularly a wash light. However, it’s still hard to beat...
Reviews
Although Avolites’ heritage is very much in lighting control, the company has made significant steps into the world of video control over the past...
Reviews
There was a time in the lighting world when all moving lights were either a hard edge unit or a wash fixture. By 2002,...
Reviews
By Nook Schoenfeld Ayrton has unleashed their most powerful moving profile yet with the release of the Huracán-X. Boasting a 50,000-plus-lumen output via a...
Reviews
By Craig Rutherford The term “PAR” is, at the outset of this new decade, a particularly notable misnomer. The trend has for some time...
Reviews
By Mike Wood Earlier this year, we looked at a Robe spot that uses additive LED colour mixing, but that doesn’t mean Robe has...
Reviews
By Nook Schoenfeld One of the most anticipated and talked-about new fixtures displayed recently is the BeaSt (Beam + Strobe) from SGM. A prototype...
Reviews
By Brandon Creel Robe is a top name in entertainment lighting, and the Czechia-based company continues to deliver new and innovative products to the...
Reviews
By Jim Hutchison Most people would agree that any product with a “2.0” or a “Plus” label on it is an upgrade, a fix...
Reviews
By Craig Rutherford Nowhere do we observe a stronger demonstration of the principle of trade-offs in intelligent lighting than in color mixing systems. Color...
Reviews
by Jim Kumorek The Obsidian NX2 console is a product of the acquisition by Elation Lighting of the M-Series lighting control system from Martin...
Reviews
by Nook Schoenfeld I had a pal of mine call me last month and ask if we’d seen the TurboRay yet. I mentioned that...
Reviews
By Craig Rutherford Large-format fixtures have been the last to make the change to LED. Excepting some specialized narrow-beam fixtures, these solid-state semiconductors have...
Reviews
By Mike Wood The subject of this month’s review is not a moving light, nor is it strictly a wash light. Instead, this LED...
Reviews
by Nook Schoenfeld It’s pretty evident that, out of all the linear auto tilting battens on the market, German Light Products (GLP) has garnished...
Reviews
By Mike Wood If this month’s light looks familiar, that’s because the form factor of the output lenses undoubtedly is. Many manufacturers make products...
Reviews
by Craig Rutherford Our collective taste for novelty is the great driving force of the entirety of the production industry. The musician’s craft is...
Reviews
by Nook Schoenfeld Having already conquered the arena and stadium markets with their highly successful BMFL line of fixtures, Robe set their sights on...
Production News
Australian band Furnace and the Fundamentals is an internationally acclaimed, high-energy party and cover band. Renowned for their raucous live shows, they blend exceptional...
