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By Richard Cadena It wasn’t that long ago that using batteries to power stage lighting, audio, and video was virtually unheard of. It was...

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By Bill Di Paolo In professional audio production, wireless microphone systems are often judged not by how they perform in ideal conditions, but by...

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By Richard Cadena In the early 2000s, many people were uncertain whether LEDs could ever light a stage well enough to satisfy lighting designers....

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A pencil condenser is an all-rounder, a surefire hit for the tool belt of an engineer. A go-to, an every-person’s mic, an ol’ reliable....

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By Mike Wood In March 2019, I reviewed the Robe T1 Profile in this magazine. At the time, it was one of the very...

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By Simon Allen There won’t be many seasoned or recently-trained audio engineers who haven’t used Nexo PS15s at some point. These highly-regarded cabinets have...

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By Mike Wood Sometimes I review small fixtures that I can easily pluck from their roadcase cocoons and whisk onto my test bench with...

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By Mike Levine I’ve always liked Shure headphones. As with virtually every product the company makes, they are solidly built and provide solid sound quality. The...

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By Steve La Cerra When it comes to portable, small-to-medium format loudspeakers, Mackie is no stranger to the market. The company’s SRM450 (now in...

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By Richard Cadena If you had told me in 2000 that, in 2022, automated lighting fixtures would still be getting smaller, brighter, and lighter...

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By Mark Frink The Jacksonville (Florida) Symphony resides in Jacoby Symphony Hall (1,800 capacity) in the Times-Union Center for the Performing Arts, sharing a...

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By Mike Levine Eventide SplitEQ offers a unique and potent take on equalization. Incorporating the company’s Structural Split technology, it gives users the ability to...

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By Simon Allen Having taken a close look at the Quantum 338 console in the June 2020 issue of LSi, I was certainly intrigued...

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By Nook Schoenfeld Back in 2019, Ayrton released their most powerful moving profile fixture: the Huracán Profile. That fixture boasted 53,000 lumens of raw...

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By Mike Levine Has this ever happened to you? You’re in a session or rehearsal and you want to play a reference track from...

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By Mike Woods Surprisingly enough, this is the first review of a Claypaky LED profile spot that I’ve written. I’ve looked at many other...

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Simon Allen reviews the constant curvature solution that bridges the gap between point source and line array . . . This year, Martin Audio...

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By Nook Schoenfeld The entertainment technology industry has saturated itself in top-end, high output, large scale, profiles the last few years. Every time High...

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By Craig Rutherford I imagine that for owners of lighting gear, there’s a certain thrill that comes from sending paid-for gear out of the...

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The incredibly thorough and knowledgeable Mike Wood has reviewed Martin Professional’s latest moving head workhorse with proprietary LED light engine . . . the...

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By Simon Allen The world of professional wireless audio equipment has seen some significant developments in technology over recent years. Sennheiser has certainly held...

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By Connor Dennehy When it comes to coloured strobe lights, several companies have tried to come up with something effective and have fallen short....

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By Rob Halliday There are three key things you should know about Avolites’ new, flagship Diamond 9 lighting console. One, it looks amazing. Like...

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By Keith Clark The first thing I noticed when I was unpacking the box was that the system ships with a quality plastic foam-lined...

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By Mike Levine Before releasing these new modules, Solid State Logic already had a significant presence in the 500 Series processor market. Now its offerings are...

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The Showtec Lumina Sola is a high-performance outdoor LED blinder designed for large-scale events and demanding applications. At its core, a 500 W RGBAL...

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