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Reviews

By James Simpson Like many in the industry, I watched the origins of beam fixtures with a little scepticism. A light that only does...

Reviews

By Steve La Cerra When the Audix D6 was introduced in the early 2000s, it was well-received as a “pre-EQ’d” kick drum microphone with...

Reviews

By Phil Garfinkel Shure continues to expand its wireless system product line, with the latest development being the SLX-D+, a new version of the popular...

Reviews

By Richard Cadena It wasn’t that long ago that using batteries to power stage lighting, audio, and video was virtually unheard of. It was...

Reviews

By Richard Cadena Riddle me this: which light is brand new to the industry, yet has a long, storied history in the business? The...

Reviews

By Mike Wood In March 2019, I reviewed the Robe T1 Profile in this magazine. At the time, it was one of the very...

Reviews

By Simon Allen There won’t be many seasoned or recently-trained audio engineers who haven’t used Nexo PS15s at some point. These highly-regarded cabinets have...

Reviews

By Mike Wood Sometimes I review small fixtures that I can easily pluck from their roadcase cocoons and whisk onto my test bench with...

Reviews

By Mike Levine I’ve always liked Shure headphones. As with virtually every product the company makes, they are solidly built and provide solid sound quality. The...

Reviews

By Steve La Cerra When it comes to portable, small-to-medium format loudspeakers, Mackie is no stranger to the market. The company’s SRM450 (now in...

Reviews

By Richard Cadena If you had told me in 2000 that, in 2022, automated lighting fixtures would still be getting smaller, brighter, and lighter...

Reviews

By Mark Frink The Jacksonville (Florida) Symphony resides in Jacoby Symphony Hall (1,800 capacity) in the Times-Union Center for the Performing Arts, sharing a...

Reviews

By Mike Levine Eventide SplitEQ offers a unique and potent take on equalization. Incorporating the company’s Structural Split technology, it gives users the ability to...

Reviews

By Simon Allen Having taken a close look at the Quantum 338 console in the June 2020 issue of LSi, I was certainly intrigued...

Reviews

By Nook Schoenfeld Back in 2019, Ayrton released their most powerful moving profile fixture: the Huracán Profile. That fixture boasted 53,000 lumens of raw...

Reviews

By Mike Levine Has this ever happened to you? You’re in a session or rehearsal and you want to play a reference track from...

Reviews

By Mike Woods Surprisingly enough, this is the first review of a Claypaky LED profile spot that I’ve written. I’ve looked at many other...

Reviews

Simon Allen reviews the constant curvature solution that bridges the gap between point source and line array . . . This year, Martin Audio...

Reviews

By Nook Schoenfeld The entertainment technology industry has saturated itself in top-end, high output, large scale, profiles the last few years. Every time High...

Reviews

By Craig Rutherford I imagine that for owners of lighting gear, there’s a certain thrill that comes from sending paid-for gear out of the...

Reviews

The incredibly thorough and knowledgeable Mike Wood has reviewed Martin Professional’s latest moving head workhorse with proprietary LED light engine . . . the...

Reviews

By Simon Allen The world of professional wireless audio equipment has seen some significant developments in technology over recent years. Sennheiser has certainly held...

Reviews

By Connor Dennehy When it comes to coloured strobe lights, several companies have tried to come up with something effective and have fallen short....

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