By Bill Di Paolo For decades, DPA Microphones has built its reputation on producing some of the most respected microphones in the professional audio...
Rob Halliday reviews MA Lighting’s MA3 lighting control platform, taking a close look at both its hardware and software. “A fascinating step towards a...
By Rob Gee The Evolution Wireless Series of microphones and instrument transmitters from Sennheiser have shaped the way professional musicians expect their equipment to...
By: Richard Cadena When lighting designer Nick Whitehouse wanted to make CarrieUnderwood’s live concert look big, he chose to use 48 Claypaky VoleroWave moving...
By Nate Clark My initial reaction while unboxing the new Electro-Voice EVERSE 8 was, frankly, confusion. It’s so light, I thought to myself. They must have sent...
Aaron Larson, Media Producer at Northwoods Community Church in Peoria, IL, recently put ADJ’s affordable Focus Profile moving head fixture (List Price: US$5,199) to...
By Richard Cadena “You can trust your Lightwright V6 software for power calculations. Just make sure you configure it properly and populate the distros...
By Kyle Jensen Last spring, Sennheiser launched the new XS Wireless IEM system (XSW for short) that’s designed primarily for entry-level artists and technicians looking for...
Veteran live sound pro Steve La Cerra dives into L-Acoustics’ L-ISA Studio 2.4 software to create an immersive sound experience. It seems like immersive...
Audio-Technica has introduced the BP880R Contact Transducer, a specialized microphone designed to capture impacts and vibrations transmitted through surfaces and structures that’s built to...