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Mike MacDonald calls the Martin MAC Encore Two a New Workhorse for Theatrical and Broadcast Lighting
Jands Named Exclusive Distributor of Meyer Sound for Australia and New Zealand
Novatech Upgrade Adelaide Entertainment Centre’s PA
Ovation Custom Cases for NRG Event Batteries
POWA Increases its Claypaky Sharpy X Frames
Royel Otis Tour With Brit Row & Clair Global
Brompton Technology helps Royal Edinburgh Military Tattoo make history on Australian soil
Pendulum’s Lighting Designer, Ben Inskip, Shares His Career & Creative Process
The Australian Outback Spectacular: Behind the Scenes with TSA
Lighting the Sound: The world’s largest light installation shines on a small Australian town
Modern Rigging and Audio Upgrade Transforms Ice Rink Experience
Enjoy Church Optimises Operations with Robust Green-GO Communications Upgrade
Visual Productions DaliCore Brings Strength
JPJ Audio Installs L-Acoustics Kara IIi into Allianz Stadium, Sydney
EAW Blends High-Performance Audio with Luxury Design for Melbourne’s Maison Bâtard
Eight ESTA Draft Standards Now in Public Review
Four ESTA Standards Recently Published, Twenty-Two Standards in Review
ESTA Announces Publication of New Standards
ESTA’s Technical Standards Program Announces Two New Standards
VAPAC TMN Mitigating the Environmental and Health Impacts of Micro Plastics in Live Entertainment
Written by: Benjaminh Krech
Colour is a powerful, if mercurial, tool. There are no absolutes with colour. Blue or white do not exist. There are only relative degrees of colour. Controlling the relative aspects of colour should not require guesswork. A solid grasp of the basic properties of colour perception is all we need.
read the full article at http://www.plsn.com/current-issue/88-focus-on-fundamentals/7410-color-fundamentals.html
“This is easily the most curiosity and enjoyment I’ve had with a fixture in a long time,” commented Mike MacDonald, Senior Lighting Designer, Twenty20...
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