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Reviews

By Kevin Lawson I was trying to remember the first time I saw a SkyTracker. I remember seeing them as a kid from miles...

Reviews

Simon Allen reviews the 2U rack-mounted VST3 plug-in server from Fourier Audio I first met Henry Harrod – one of the co-founders of Fourier...

Reviews

By Lewis Noke Edwards The MD 421 is not a small microphone, and while not as boisterous as a huge tube microphone, the MD...

Reviews

By Ben Jones Dubbed the “cloud-based amplifier platform,” the new Unica Series aims to continue Powersoft’s legacy of great sound while adding new features...

Reviews

By Mike Levine Eventide SplitEQ offers a unique and potent take on equalization. Incorporating the company’s Structural Split technology, it gives users the ability to...

Reviews

By Simon Allen Having taken a close look at the Quantum 338 console in the June 2020 issue of LSi, I was certainly intrigued...

Reviews

By Nook Schoenfeld Back in 2019, Ayrton released their most powerful moving profile fixture: the Huracán Profile. That fixture boasted 53,000 lumens of raw...

Reviews

By Mike Levine Has this ever happened to you? You’re in a session or rehearsal and you want to play a reference track from...

Reviews

By Mike Woods Surprisingly enough, this is the first review of a Claypaky LED profile spot that I’ve written. I’ve looked at many other...

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Simon Allen reviews the constant curvature solution that bridges the gap between point source and line array . . . This year, Martin Audio...

Reviews

By Nook Schoenfeld The entertainment technology industry has saturated itself in top-end, high output, large scale, profiles the last few years. Every time High...

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By Craig Rutherford I imagine that for owners of lighting gear, there’s a certain thrill that comes from sending paid-for gear out of the...

Reviews

The incredibly thorough and knowledgeable Mike Wood has reviewed Martin Professional’s latest moving head workhorse with proprietary LED light engine . . . the...

Reviews

By Simon Allen The world of professional wireless audio equipment has seen some significant developments in technology over recent years. Sennheiser has certainly held...

Reviews

By Connor Dennehy When it comes to coloured strobe lights, several companies have tried to come up with something effective and have fallen short....

Reviews

By Rob Halliday There are three key things you should know about Avolites’ new, flagship Diamond 9 lighting console. One, it looks amazing. Like...

Reviews

By Keith Clark The first thing I noticed when I was unpacking the box was that the system ships with a quality plastic foam-lined...

Reviews

By Mike Levine Before releasing these new modules, Solid State Logic already had a significant presence in the 500 Series processor market. Now its offerings are...

Reviews

If you’ve ever had the (dis)pleasure of having to move a full drum kit from your jam room to your bandmates’ sedan, then on...

Reviews

By Mike Wood We have definitely reached a plateau in automated LED profile spots in that there is now a tacitly agreed-upon outline specification...

Reviews

By Simon Allen It’s the small things in life that matter. This couldn’t be more accurate when it comes to headset and lavaliere microphone...

Reviews

By Nook Schoenfeld Ayrton has released its latest luminaire, the Eurus — the newest member of their Classical 5 Series. The new fixture is...

Reviews

By Mike Levine Radial Engineering’s EXTC Stereo Reamp is the latest model in the company’s EXTC (“ex-tee-cee”) line of reamping devices. Previously introduced models...

Reviews

By Rob Halliday It’s around seven years since ETC’s Source Four LED Series 2 spotlight range appeared and, particularly in its Lustr model, really...

Reviews

By Markkus Rovito Like a sample-based composition, Ableton has built its Live workstation from the ground up as an obscure looping program to—20 years...

Reviews

Mike Wood reviews the Ayrton Eurus-S compact LED moving head in Lighting & Sound International magazine: “This is an evolutionary product that builds on...

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Coldplay’s The Spheres World Tour finally arrived in Australia, playing to thousands at Melbourne’s Marvel Stadium and Sydney’s Accor Stadium. As with many previous...

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