By Richard Cadena Claypaky’s Rhapsodya is an LED profile spot moving yoke fixture designed to meet the demands of the theatrical and television markets....
By Rob Halliday It’s an interesting game, entertainment lighting control. In global terms, it’s not a huge market – it’s not the iPhone, you’re...
By Mike Crofts JBL’s newest PRX range combines quality sound, powerful DSP and remote system control. I’ve used JBL portable powered and passive speaker...
By Richard Cadena The typical lighting rig often has some short-throw, medium-throw and long-throw fixtures. The farther the throw distance, the more output a...
By Paul White A&H’s newest live sound consoles combine powerful 96kHz digital processing with user?friendly features. Compact digital live sound mixers are increasingly popular...
By Mark Johnson Throughout its existence, Shure has produced products revered by professionals as well as consumers and audiophiles. As a budding live audio...
By Simon Allen In LSi September 2021, I took an in-depth look at Sennheiser’s EW-D, the company’s addition to its mid-tier digital wireless microphone...
sE Electronics are the specialists in affordable, expert-quality audio gear. Novice or professional, live or studio engineers alike will have come across their reliable...
By Steve La Cerra As the RF landscape becomes increasingly crowded, wireless manufacturers diligently seek ways for audio pros to make efficient use of...
Simon Allen compares Neumann’s new Miniature Clip Mic (MCM) system to DPA’s established 4099 for instrument micing applications . . . When it comes...
By Jarrah Saunders PSP Audioware recently released the long-awaited update to their Lexicon PSP 42 plugin, almost 20 years after its first release, with...
Rob Halliday reviews MA Lighting’s MA3 lighting control platform, taking a close look at both its hardware and software. “A fascinating step towards a...
By Rob Gee The Evolution Wireless Series of microphones and instrument transmitters from Sennheiser have shaped the way professional musicians expect their equipment to...
By: Richard Cadena When lighting designer Nick Whitehouse wanted to make CarrieUnderwood’s live concert look big, he chose to use 48 Claypaky VoleroWave moving...
By Lewis Noke Edwards The only thing more consistent than our coverage of Audient’s growing range is the reliability, build, quality and design of...