By Craig Rutherford
Nowhere do we observe a stronger demonstration of the principle of trade-offs in intelligent lighting than in color mixing systems. Color is one of the most salient aspects of light we can control, and perhaps it’s most tricky to perfect. The ideal color system would combine perfect spectral reproduction at any wavelength(s) we wished, be instantly responsive, and introduce negligible output losses. The compact, affordable, infinitely-tunable-wavelength laser array being a Wholly Imaginary Thing, we must use our currently available subtractive and additive methods.
These have worked well enough that for the last several years, innovation has largely been centered around the specific form factor of the mixing system itself, subtle adjustments to hues and saturation, and so forth. We’ve so far been bereft of re-imaginings of the three-color subtractive mix setup that we’ve all grown accustomed to, but today, we look at a light far from ordinary — the Elation Artiste Monet, with a unique seven color flag system.
Read the full article at: https://plsn.com/articles/road-tests/elation-artiste-monet/
www.elationlighting.com
Australian Distributor: ULA Group www.ulagroup.com
