By Markkus Rovito
Like a sample-based composition, Ableton has built its Live workstation from the ground up as an obscure looping program to—20 years later—a masterpiece of electronic music production and one of the most commonly used DAWs in the market today.
Live 11 is a welcome and worthy update, but it is also the polishing of a mature product, a 2021 remaster, if you will. And like many mature people who used to be all about rave music, Live 11 seems to have turned its attention to cinematic music and scoring to picture. Don’t get me wrong, Live 11 (and I) still loves dubstep, tropical house and trap, but the new additions skew toward a little more sophisticated approach to writing and recording, with features like track comping, MPE support, and a giant infusion of new instruments and effects, including a partnership with Spitfire Audio.
Read the full review at: https://www.mixonline.com/technology/reviews/review-ableton-live-11
