My last gig as a designer prior to Covid-19 was Les Miserables, staged at the Riverside Theatre by Packemin Productions. Directed by Luke Joslin this production of Les Miserables was a very creative experience highlighting the classic story by Victor Hugo. The design was created based on the work of four followspots, a team of volunteers. With only three days of plotting before an 11am opening, musical theatre is the most collaborative of all the art forms and the Packemin Productions are no exception.
Control: ETC GIO
DMX Universes: 10
Data Distribution: ETC Gateway
1024 Channels
280 cues
Venue Gear:
53 x ETC Lustr 2+ Profiles
5 x Robe DL4S Moving Profiles
9 x Quad 12 Parcans
9 x Robe 300+ Washes
4 x Source 4 Mini Profiles
Hired gear supplied by Chameleon Touring Systems:
33 x GLP Impressions X4 20s
10 x Ayrton Mistral-S
2 x GLP X4 impression
2 x Robe 400 Hazers
4 x DTW Blinder 700 IP
4 x Martin RUSH BATTEN HEX 1
4 x Robert Juliat Aramis Follow Spots
Producer: Neil Gooding
Associate Producer: Jordan Vassallo
Director: Luke Joslin
Musical Director: Peter Hayward
Choreographer: Madison Lee
Make-up Designer: Karen Lamont-Barnett
Costume Coordinator: Audrey Currie
Associate Director: Courtney Cassar
Associate Musical Director: Rachel Kelly
LX Operator / Programmer: Matt Lutz
Lighting Crew: Kit Cook, Sarah Webster, Abraham Mahamid, Brianna Webster, Jazmin Mancuso, Rachael Marchant, Jessica Looyen, Tim Dennis, Alex Chambers
Please support the Actors Benevolent Fund of NSW at this time of crisis: https://www.actorsbenevolentfund.org.au/donations
Photos: Grant Leslie
